Mallory Gilbert on being a general manager and starting out (Part 1 of 9)
Mallory Gilbert on being a general manager and starting out (Part 1 of 9)
Mallory Gilbert discusses being a General Manager, starting out at the Tarragon, and expanding.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Tarragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on young companies, planning a season, and collaboration (Part 2 of 9)
Mallory Gilbert discusses young companies, planning a season, and collaboration.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Taragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on loving your job (Part 3 of 9)
Mallory Gilbert discusses paying actors and the finances of running a theatre and how Tarragon's philosophies were demonstrated through their pay scale. She challenges claims that the building are "sub-standard," but explains that Tarragon's black box theatre might challenge designers to create more innovative.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Taragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on Maggie Bassett and Bill Glassco (Part 4 of 9)
Mallory Gilbert discusses the naming of the Maggie Basset Studio, and the woman behind the name's contribution to her career. She also gives personal insight into Tarragon founding member and artistic director Bill Glassco.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Taragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on Toronto Theatres in the 1970s and PACT (Part 5 of 9)
Mallory Gilbert on what the Toronto theatre scene was like in the 1970s and how different theatre companies failed to work together, and how the rise of EQUITY in Canada brought about P.A.C.T. and how that organisation allowed for a more collegial industry.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Taragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on Funding Priorities and International Tours (Pt. 6 of 9)
Mallory Gilbert discusses how government funding can sometimes seem disproportionate, New York City, and touring with a production company. R.H. Thompson asks Mallory about the importance of Canadian theatre being recognized outside of Canada.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Tarragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on Urjo Kareda and his leadership (Pt. 7 of 9)
Mallory Gilbert discusses the transition from Bill Glassco's leadership to Urjo Kareda's tenure as Artistic Director of Tarragon Theatre.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Tarragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on Michel Tremblay (Pt. 8 of 9)
Mallory Gilbert discusses Tarragon's relationship with Michel Tremblay and her insights into the playwright.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Tarragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).
Mallory Gilbert on Canadian Theatre and Working with Boards (Pt. 9 of 9)
Mallory Gilbert discusses David French and immigrating to Canada as an American. Her position as an "outsider" to the culture gave her a unique perspective during the rise of the Canadian canon. She also describes her relationship with Tarragon's Board of Directors, and her thoughts on how Boards should function.
Interviewed by R.H. Thomson on February 19, 2010 in Toronto.
Filming location courtesy of Tarragon Theatre.
This recording is made possible by the Professional Association of Canadian Theatres (PACT).