Desmond Heeley on continuing to learn (Part 1 of 23)
Desmond Heeley on continuing to learn (Part 1 of 23)
Desmond Heeley on designing "Cinderella on Ice" (Part 2 of 23)
Desmond Heeley on designing "Cyrano" with Tanya Moiseiwitsch (Part 3 of 23)
Desmond Heeley on designing Prince Charles' investiture (Part 4 of 23)
Desmond Heeley on his hands (Part 5 of 23)
Desmond Heeley on exchanging family for the theatre (Part 6 of 23)
Desmond Heeley on broadway debut with "Rosencrantz & Guildenstern Are Dead" (Part 7 of 23)
Desmond Heeley of the "The Tempest", directed by John Hirsch (Part 8 of 23)
Desmond Heeley on his mentors Tanya Moiseiwitsch and Oliver Messel (Part 9 of 23)
Desmond Heeley on favourite materials (Part 10 of 23)
Desmond Heeley on his views of literalism (Part 11 of 23)
Desmond Heeley on texture and the old tricks (Part 12 of 23)
Desmond Heeley on the designer's collaborative role (Part 13 of 23)
Desmond Heeley on his early years at Stratford upon Avon (Part 14 of 23)
Desmond Heeley on magic in theatre (Part 15 of 23)
Desmond Heeley on pageantry in theatre (Part 16 of 23)
Desmond Heeley on a tour backstage at Stratford (Part 17 of 23)
Desmond Heeley on designing for the Stratford Festival Stage (Part 18 of 23)
Desmond Heeley on when his work on a play ends (Part 19 of 23)
Desmond Heeely on working with lighting designer Michael Whitfield (Part 20 of 23)
Desmond Heeley on working with Erik Bruhn (Part 21 of 23)
Desmond Heely on working with Michael Langham (Part 22 of 23)
Desmond Heeley on working with Peter Brook, Laurence Olivier, Vivien Leigh (Part 23 of 23)