{"id":3456,"date":"2021-03-23T21:04:05","date_gmt":"2021-03-23T21:04:05","guid":{"rendered":"https:\/\/theatremuseum.ca\/?post_type=cpt_videos&p=3456"},"modified":"2021-03-23T21:04:06","modified_gmt":"2021-03-23T21:04:06","slug":"susan-benson-michael-whitfield","status":"publish","type":"cpt_videos","link":"https:\/\/theatremuseum.ca\/cpt_videos\/susan-benson-michael-whitfield\/","title":{"rendered":"Susan Benson & Michael Whitfield"},"content":{"rendered":"\n
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\n \n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjY4NkJGNkI5NEMyNjlGNTc<\/span>\n \"Susan\n <\/span>\n <\/a>\n
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Benson & Whitfield on a lighting designer's relationship with the director (Part 1 of 26)<\/h5>\n
\n <\/span>\n July 31, 2009 4:34 pm<\/span>\n <\/div>\n <\/div>\n<\/div>\n \n<\/div>\n
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\n Benson & Whitfield on a lighting designer's relationship with the director (Part 1 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjY4NkJGNkI5NEMyNjlGNTc<\/span>\n
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\n\t\t\tBenson & Whitfield on a lighting designer's relationship with the director (Part 1 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson and Michael Whitfield discuss the relationship between the lighting designer and the director.
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\nInterviewed by R.H. Thomson on August 21st, 2007 in Stratford, Ontario.
\nFilming location courtesy of the artists.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Benson & Whitfield on creating the right environment through light (Part 2 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkJFQ0QxRTZENzRFNUUzN0Y<\/span>\n
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\n\t\t\tBenson & Whitfield on creating the right environment through light (Part 2 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield discusses working from the text to build the right environment.
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\nInterviewed by R.H. Thomson on August 21st, 2007 in Stratford, Ontario.
\nFilming location courtesy of the artists.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Benson & Whitfield on lighting design for the Stratford Festival Theatre (Part 3 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjdFNkVBRDBGMjVFRUM0MTY<\/span>\n
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\n\t\t\tBenson & Whitfield on lighting design for the Stratford Festival Theatre (Part 3 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield discusses the lighting design for the Stratford Festival Theatre.
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\nInterviewed by R.H. Thomson on August 21st, 2007 in Stratford, Ontario.
\nFilming location courtesy of the artists.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Benson & Whitfield on external and internal light (Part 4 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjYzRkVCMzIyQThEN0I2MDM<\/span>\n
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\n\t\t\tBenson & Whitfield on external and internal light (Part 4 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield discusses the difference between lighting that accommodates a scene versus lighting that comes from within a character.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.
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\nInterviewed by R.H. Thomson on August 21st, 2007 in Stratford, Ontario.
\nFilming location courtesy of the artists.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Benson & Whitfield on the physical quality of theatre (Part 5 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkM4QTE5RDlFMTc4OThCQzQ<\/span>\n
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\n\t\t\tBenson & Whitfield on the physical quality of theatre (Part 5 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield discusses tailoring design to your surroundings.
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\nInterviewed by R.H. Thomson on August 21st, 2007 in Stratford, Ontario.
\nFilming location courtesy of the artists.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Whitfield on Adapting to the digital age (Part 6 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjRGQTIxMDEwREJBQkE3M0I<\/span>\n
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\n\t\t\tWhitfield on Adapting to the digital age (Part 6 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield on adapting to technological innovations and whether or not they are useful in design.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Michael\n \n
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\n Whitfield on balancing art and science in design (Part 7 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkRBNkU0NDA0NzUzNTg3NDg<\/span>\n
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\n\t\t\tWhitfield on balancing art and science in design (Part 7 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield on balancing the emotional and practical qualities of light in a performance.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Susan Benson on learning the art of design (Part 8 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkMwODk1MjRGRUY5QjExNTI<\/span>\n
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\n\t\t\tSusan Benson on learning the art of design (Part 8 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on learning the art of design and all its forms.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Benson on the importance of learning through doing (Part 9 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkU2MzUyNzc0N0NDQjQyQjE<\/span>\n
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\n\t\t\tBenson on the importance of learning through doing (Part 9 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on learning the craft--the importance of learning through doing.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Michael\n \n
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\n Whitfield on Mentors (Part 10 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkFCRDVCMzEwNjFFOTZCQUM<\/span>\n
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\n\t\t\tWhitfield on Mentors (Part 10 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield on mentors and learning through observation.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Michael\n \n
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\n Whitfield on becoming a Lighting Designer (Part 11 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkQ4RDkzQUZFRTQxREYyOTg<\/span>\n
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\n\t\t\tWhitfield on becoming a Lighting Designer (Part 11 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield on his eclectic academic background and becoming a lighting designer.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Michael\n \n
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\n Whitfield and Benson on benefits of manual lighting (Part 12 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjgxRkQ3QjA5Q0FCQjcyMzQ<\/span>\n
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\n\t\t\tWhitfield and Benson on benefits of manual lighting (Part 12 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield on techniques and knowledge, and the human aspect of manual lighting.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Whitfield on the colour of sunlight (Part 13 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjU5MUNGRjIyODUzMjcxRDM<\/span>\n
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\n\t\t\tWhitfield on the colour of sunlight (Part 13 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield on tonal values and external factors that affect light.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Michael\n \n
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\n Whitfield on multiple productions of the same play (Part 14 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjA3RTA0QjE1MTU5NTJEM0Y<\/span>\n
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\n\t\t\tWhitfield on multiple productions of the same play (Part 14 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMichael Whitfield on working through steps rather than looking for the quick fix.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on designer's relationship with actors (Part 15 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkIyRjM2Q0FCNUVFOTJDRjU<\/span>\n
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\n\t\t\tSusan Benson on designer's relationship with actors (Part 15 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on the challenges of working with actors with regard to costumes, fitting, and young "cutters."
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on understanding an artist's process (Part 16 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjk4MDM3NjNFQkQzMDk3REE<\/span>\n
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\n\t\t\tSusan Benson on understanding an artist's process (Part 16 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on Straford's complex and controversial history with its board, management, and artistic directors.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Susan Benson on a designer's relationship with the director (Part 17 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjE1NEFFNkU1RDY3NjU4OTk<\/span>\n
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\n\t\t\tSusan Benson on a designer's relationship with the director (Part 17 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on the two way street between director and designer.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on designing sets and costumes for the Stratford Festival Theatre (Part 18 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjZENDM5NjU2MEQzN0U5ODg<\/span>\n
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\n\t\t\tSusan Benson on designing sets and costumes for the Stratford Festival Theatre (Part 18 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson & Michael Whitfield on designing sets and costumes for the Stratford Festival Theatre.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Susan Benson on the "The Mikado" for Stratford, 1981 (Part 19 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjg3Q0M0MEFBNzgwRTJGQTk<\/span>\n
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\n\t\t\tSusan Benson on the "The Mikado" for Stratford, 1981 (Part 19 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on collaboration for the elaborate and successful production of The Mikado at Stratford in 1981.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on dressing the character (Part 20 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjI1RTVEMjdDMDZBQjE1Njg<\/span>\n
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\n\t\t\tSusan Benson on dressing the character (Part 20 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on colour and pattern with regard to characters and the theatre.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on design from page to stage (Part 21 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjQxNDRGQjA1NjU1MTQ5RUI<\/span>\n
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\n\t\t\tSusan Benson on design from page to stage (Part 21 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on seeing a design through from page to stage.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on how the play informs design (Part 22 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkVEQzBEREExRDMxQzQ1MEQ<\/span>\n
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\n\t\t\tSusan Benson on how the play informs design (Part 22 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson on taking clues from the text, the setting, and the period to come up with meaningful costume designs.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on negative space (Part 23 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjU2MDZGMUZBMzdGOTlFQTM<\/span>\n
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\n\t\t\tSusan Benson on negative space (Part 23 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson & Michael Whitfield on the "less is more" mindset in both stage and lighting design.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Susan Benson on the importance of detail (Part 24 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLjdBQUQ5RDFGQUZDMkFGNkQ<\/span>\n
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\n\t\t\tSusan Benson on the importance of detail (Part 24 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson & Michael Whitfield on the repercussions of cutting corners in all elements of theatre design.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Benson and Whitfield on the government's role in supporting the arts (Part 1 of 2) (Part 25 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkRGMUI2NzdDN0YzMzI1N0U<\/span>\n
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\n\t\t\tBenson and Whitfield on the government's role in supporting the arts (Part 1 of 2) (Part 25 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson & Michael Whitfield on the role of the government in supporting artistic expression.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Susan\n \n
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\n Benson and Whitfield on the government's role in supporting the arts (Part 2 of 2) (Part 26 of 26)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEwyM0Q1QkQ5NUE0RTYxNzMzLkEzQTQzNDY1Q0Q3RTQ0RjQ<\/span>\n
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\n\t\t\tBenson and Whitfield on the government's role in supporting the arts (Part 2 of 2) (Part 26 of 26)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tSusan Benson & Michael Whitfield on the role of the government in supporting artistic expression.
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\nInterviewed by R.H. Thomson on August 21, 2007 in Stratford, ON.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div> <\/div>\n \n\t

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