{"id":3403,"date":"2021-02-23T19:07:38","date_gmt":"2021-02-23T19:07:38","guid":{"rendered":"https:\/\/theatremuseum.ca\/?post_type=cpt_videos&p=3403"},"modified":"2021-02-23T19:07:38","modified_gmt":"2021-02-23T19:07:38","slug":"robert-chafe","status":"publish","type":"cpt_videos","link":"https:\/\/theatremuseum.ca\/cpt_videos\/robert-chafe\/","title":{"rendered":"Robert Chafe"},"content":{"rendered":"\n
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\n \n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci41MzJCQjBCNDIyRkJDN0VD<\/span>\n \"Robert\n <\/span>\n <\/a>\n
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Robert Chafe on his artistic director job, how he got into theatre, and Artistic Fraud (Part 1 of 8)<\/h5>\n
\n <\/span>\n September 1, 2021 5:58 pm<\/span>\n <\/div>\n <\/div>\n<\/div>\n \n<\/div>\n
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\n \n \"Robert\n \n
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\n Robert Chafe on his artistic director job, how he got into theatre, and Artistic Fraud (Part 1 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci41MzJCQjBCNDIyRkJDN0VD<\/span>\n
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\n\t\t\tRobert Chafe on his artistic director job, how he got into theatre, and Artistic Fraud (Part 1 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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\n Robert Chafe on how acting experience influences his writing and working with actors (Part 2 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci4wOTA3OTZBNzVEMTUzOTMy<\/span>\n
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\n\t\t\tRobert Chafe on how acting experience influences his writing and working with actors (Part 2 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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\n Robert Chafe on Newfoundland, and making relatable plays worldwide (Part 3 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci41MjE1MkI0OTQ2QzJGNzNG<\/span>\n
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\n\t\t\tRobert Chafe on Newfoundland, and making relatable plays worldwide (Part 3 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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\n Robert Chafe on collaborations with Jill Keiley and working at Artistic Fraud (Part 4 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci5DQUNERDQ2NkIzRUQxNTY1<\/span>\n
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\n\t\t\tRobert Chafe on collaborations with Jill Keiley and working at Artistic Fraud (Part 4 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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\n Robert Chafe on AfterImage, and the difficulties of adapting works into plays (Part 5 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci45NDk1REZENzhEMzU5MDQz<\/span>\n
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\n\t\t\tRobert Chafe on AfterImage, and the difficulties of adapting works into plays (Part 5 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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\n Robert Chafe on "shifting", OIl and Water, and writing dark themes in plays (Part 6 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci4wMTcyMDhGQUE4NTIzM0Y5<\/span>\n
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\n\t\t\tRobert Chafe on "shifting", OIl and Water, and writing dark themes in plays (Part 6 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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\n Robert Chafe on writing Oil and Water and the current status of Canadian theatre (Part 7 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci41NkI0NEY2RDEwNTU3Q0M2<\/span>\n
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\n\t\t\tRobert Chafe on writing Oil and Water and the current status of Canadian theatre (Part 7 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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\n Robert Chafe on his future goals (Part 8 of 8)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NWxnVXR3a2JYcENzUHFKQ2RVZWFuci4xMkVGQjNCMUM1N0RFNEUx<\/span>\n
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\n\t\t\tRobert Chafe on his future goals (Part 8 of 8)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

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