{"id":3379,"date":"2021-02-23T19:00:31","date_gmt":"2021-02-23T19:00:31","guid":{"rendered":"https:\/\/theatremuseum.ca\/?post_type=cpt_videos&p=3379"},"modified":"2021-02-23T19:00:32","modified_gmt":"2021-02-23T19:00:32","slug":"cameron-porteous","status":"publish","type":"cpt_videos","link":"https:\/\/theatremuseum.ca\/cpt_videos\/cameron-porteous\/","title":{"rendered":"Cameron Porteous"},"content":{"rendered":"\n
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\n \n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LkIwRTExNDVDMThGRDkwMjA<\/span>\n \"Cameron\n <\/span>\n <\/a>\n
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Cameron Porteous on designing for actors (Part 1 of 10)<\/h5>\n
\n <\/span>\n October 5, 2010 7:13 pm<\/span>\n <\/div>\n <\/div>\n<\/div>\n \n<\/div>\n
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\n \n \"Cameron\n \n
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\n Cameron Porteous on designing for actors (Part 1 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LkIwRTExNDVDMThGRDkwMjA<\/span>\n
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\n\t\t\tCameron Porteous on designing for actors (Part 1 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses designing costumes for actors, discovering characters through design, Shaw's Arms and the Man, and negotiating in the fitting room.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on tailors, cutters, and fabrics (Part 2 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1Ljg1QjFFNkNCNzdGRDJDMEQ<\/span>\n
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\n\t\t\tCameron Porteous on tailors, cutters, and fabrics (Part 2 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses tailors and cutters, the process of making a garment, and fabrics for the theatre.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on spaces and scenery (Part 3 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LkRFMTE2OUYwNTlGMDM3OUQ<\/span>\n
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\n\t\t\tCameron Porteous on spaces and scenery (Part 3 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses how he designs for each space, favourite spaces in Canada, and creating scenery.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on Cyrano de Bergerac at the Shaw Festival 1983 (Part 4 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LkZCMTIyOTI5M0NEODVCRDc<\/span>\n
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\n\t\t\tCameron Porteous on Cyrano de Bergerac at the Shaw Festival 1983 (Part 4 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses Rostand's Cyrano de Bergerac at the Shaw Festival (1983) directed by Derek Goldby and starring Heath Lamberts.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on the Shaw and Stratford Festivals (Part 5 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LjdEQ0M3MUYwNEQ1RjBFRjk<\/span>\n
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\n\t\t\tCameron Porteous on the Shaw and Stratford Festivals (Part 5 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses designing spaces at the Shaw and Stratford festivals and working as Head of Design at the Shaw Festival.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on working with Christopher Newton (Part 6 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1Ljc3NjY1MjVGMEEyQzBCNDA<\/span>\n
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\n\t\t\tCameron Porteous on working with Christopher Newton (Part 6 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses working at the Shaw Festival on projects with Christopher Newton and Neil Munro.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on design and technology (Part 7 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LjU2MjE2OTMzNDQwQjAxOUE<\/span>\n
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\n\t\t\tCameron Porteous on design and technology (Part 7 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses the intersection of technology and design, creating design with modern technology, and audience reception.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on design training and mentors (Part 8 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LjFCMTczNUYxRTg2QjkyQjA<\/span>\n
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\n\t\t\tCameron Porteous on design training and mentors (Part 8 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses design training, mentors, and design influence and evolution.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n Cameron Porteous on design principles (Part 9 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LjIwOUEyQzE1RTA3RkNDODk<\/span>\n
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\n\t\t\tCameron Porteous on design principles (Part 9 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses design principles, creating worlds, and lighting.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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\n \n \"Cameron\n \n
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\n Cameron Porteous on design as art (Part 10 of 10)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw3MzU0MzRGQ0E4MkQwNTk1LkFEQjBFQ0QyNURDMjRERjE<\/span>\n
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\n\t\t\tCameron Porteous on design as art (Part 10 of 10)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tCameron Porteous discusses design as art, commercialism, and the future of design.
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\nInterviewed by R.H. Thompson on May 1 2009 in Toronto. Filming location courtesy of The Sutton Place Hotel.<\/span>
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