{"id":3355,"date":"2021-02-23T18:54:38","date_gmt":"2021-02-23T18:54:38","guid":{"rendered":"https:\/\/theatremuseum.ca\/?post_type=cpt_videos&p=3355"},"modified":"2021-02-23T18:54:39","modified_gmt":"2021-02-23T18:54:39","slug":"mavor-moore","status":"publish","type":"cpt_videos","link":"https:\/\/theatremuseum.ca\/cpt_videos\/mavor-moore\/","title":{"rendered":"Mavor Moore"},"content":{"rendered":"\n
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\n \n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjYyRDI5QkI5NUQ1QUMyNzA<\/span>\n \"Mavor\n <\/span>\n <\/a>\n
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Mavor Moore on Canadians' view of American culture (Part 1 of 19)<\/h5>\n
\n <\/span>\n August 6, 2009 8:09 pm<\/span>\n <\/div>\n <\/div>\n<\/div>\n \n<\/div>\n
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\n \n \"Mavor\n \n
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\n Mavor Moore on Canadians' view of American culture (Part 1 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjYyRDI5QkI5NUQ1QUMyNzA<\/span>\n
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\n\t\t\tMavor Moore on Canadians' view of American culture (Part 1 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses exploring the differences and similarities between Canada and American television and theatre.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Mavor\n \n
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\n Mavor Moore on Centennial projects and Charlottetown Festival (Part 2 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkUzNUVFRTRENThDRTY3QjA<\/span>\n
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\n\t\t\tMavor Moore on Centennial projects and Charlottetown Festival (Part 2 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses engagements and projects during Canada's Centennial year.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on Dora Mavor Moore's contribution to theatre in Canada (Part 3 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjRDRTVGQjMxRkNFMUYwMEQ<\/span>\n
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\n\t\t\tMavor Moore on Dora Mavor Moore's contribution to theatre in Canada (Part 3 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses Dora Mavor Moore's legacy.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on New Play Society (Part 4 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjBERTlEMEM0MTg5RDBCQzE<\/span>\n
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\n\t\t\tMavor Moore on New Play Society (Part 4 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses new beginnings after war, and seeking professional spaces in Canada.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on his acting career (Part 5 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkJCMjJDNzk1M0MzOEU3QkU<\/span>\n
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\n\t\t\tMavor Moore on his acting career (Part 5 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses acting at an early age.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on The Canada Council (Part 6 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkFGMjc0Q0I3ODUxQjE2M0Y<\/span>\n
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\n\t\t\tMavor Moore on The Canada Council (Part 6 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses politics and opportunities at the Canada Council.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on moving into Academia (Part 7 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkI5OUQ2NDlGRDU0MzhGQUE<\/span>\n
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\n\t\t\tMavor Moore on moving into Academia (Part 7 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses establishing himself at York University's Fine Arts department.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on Stratford 1954 (Part 8 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkZBN0JCNzI5NTJBQjRCODg<\/span>\n
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\n\t\t\tMavor Moore on Stratford 1954 (Part 8 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses his brief stint at Stratford in 1954 (See William Needles - Petruchio).<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on New York in the late 1940s (Part 9 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkZDNDU3Q0ZDNkQzMTI2NUI<\/span>\n
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\n\t\t\tMavor Moore on New York in the late 1940s (Part 9 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses how he ended up in New York in the 1940s.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on superstitions of Macbeth (Part 10 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkE1QThDOTFCRjQyQjlCQzM<\/span>\n
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\n\t\t\tMavor Moore on superstitions of Macbeth (Part 10 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses double, double toil and trouble--superstitions in Macbeth.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on CBC TV in the early 1950s (Part 11 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjIzNTI1MTY0NDM3QjNDOTA<\/span>\n
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\n\t\t\tMavor Moore on CBC TV in the early 1950s (Part 11 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses the birth of CBC TV in the early 1950s.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on The St. Lawrence Centre (Part 12 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjcyQkRFMkEwMzI2MDVGRUM<\/span>\n
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\n\t\t\tMavor Moore on The St. Lawrence Centre (Part 12 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses the challenges of managing the the St. Lawrence Centre.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on the Moore Family and the Arts (Part 13 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjM0RDAzQzY5OEM4NUE5Q0Q<\/span>\n
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\n\t\t\tMavor Moore on the Moore Family and the Arts (Part 13 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses the Moore family's diverse links to theatre.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on the original production of Anne of Green Gables (Part 14 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjgxRDNCNkQ3Q0I2OUZERkM<\/span>\n
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\n\t\t\tMavor Moore on the original production of Anne of Green Gables (Part 14 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses putting together the original production of Anne of Green Gables.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on the state of culture in 2009 (Part 15 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjM2ODFFNzI1QkJBNzBBNzQ<\/span>\n
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\n\t\t\tMavor Moore on the state of culture in 2009 (Part 15 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses the shifting definitions of culture.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on centennial theatre projects (Part 16 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkVGQTE0NDgxRTQwQ0NFMDU<\/span>\n
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\n\t\t\tMavor Moore on centennial theatre projects (Part 16 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses a variety of centennial theatre projects across Canada.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on Anne beyond PEI (Part 17 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjE2ODJEMjE3NTI5RjI2MTk<\/span>\n
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\n\t\t\tMavor Moore on Anne beyond PEI (Part 17 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore discusses different productions of the much loved story by Lucy Maud Montgomery.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on the true meaning of culture (Part 18 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELjVGRTc4QjM1OEU4QkFFNzg<\/span>\n
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\n\t\t\tMavor Moore on the true meaning of culture (Part 18 of 19)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tMavor Moore on changing definitions of what constitutes collective growth.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Mavor Moore on the value of theatre (Part 19 of 19)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw4MzhEMUJFQjEzNzRFNkRELkJDN0I2M0I3RjQ5MzFFMzQ<\/span>\n