{"id":3315,"date":"2021-02-23T18:49:27","date_gmt":"2021-02-23T18:49:27","guid":{"rendered":"https:\/\/theatremuseum.ca\/?post_type=cpt_videos&p=3315"},"modified":"2021-02-23T18:49:28","modified_gmt":"2021-02-23T18:49:28","slug":"paul-thompson","status":"publish","type":"cpt_videos","link":"https:\/\/theatremuseum.ca\/cpt_videos\/paul-thompson\/","title":{"rendered":"Paul Thompson"},"content":{"rendered":"\n
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\n \n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLkRFNDkxQjA1NjQyNEZBNjk<\/span>\n \"Paul\n <\/span>\n <\/a>\n
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Paul Thompson on bringing anarchy into the creative process (Part 1 of 21)<\/h5>\n
\n <\/span>\n July 30, 2009 3:38 pm<\/span>\n <\/div>\n <\/div>\n<\/div>\n \n<\/div>\n
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\n Paul Thompson on bringing anarchy into the creative process (Part 1 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLkRFNDkxQjA1NjQyNEZBNjk<\/span>\n
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\n\t\t\tPaul Thompson on bringing anarchy into the creative process (Part 1 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on breaking certain rules to bring a different kind of energy into the creative process.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on the boom and bust theory of Canadian culture (Part 2 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjhBNDVBMDVCMDhGOEU3QjQ<\/span>\n
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\n\t\t\tPaul Thompson on the boom and bust theory of Canadian culture (Part 2 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on a hypothetical link between Canada`s economy and cultural production in terms of a cycle of boom and bust.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on his "French" background (Part 3 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjVGMDBCQzAwRjVDOTM2N0Y<\/span>\n
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\n\t\t\tPaul Thompson on his "French" background (Part 3 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on his immersion in the french language.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on involvement at Theatre Passe Muraille (Part 4 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjNFRjUxMzYzRjE1MjQyMjA<\/span>\n
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\n\t\t\tPaul Thompson on involvement at Theatre Passe Muraille (Part 4 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on how he become involved with Theatre Passe Muraille--the keys and the chequebook.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on theatres now (2009) (Part 5 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjUwMTg2MEQ1NDFDNzZGQTM<\/span>\n
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\n\t\t\tPaul Thompson on theatres now (2009) (Part 5 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on funding emerging community theatres and multicultural concerns in Toronto.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on Indigenous theatre in Canada (Part 6 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLkUzMDRBMjhCOTBBRDQwNEE<\/span>\n
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\n\t\t\tPaul Thompson on Indigenous theatre in Canada (Part 6 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on Indigenous theatre in Canada.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on reaching audiences in Toronto (Part 7 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjQ4NTRBQTgzMUI1RjQ5OEQ<\/span>\n
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\n\t\t\tPaul Thompson on reaching audiences in Toronto (Part 7 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on reaching audiences in Toronto, with Da Kink in my Hair as an example.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on "The Farm Show" and " The Drawer Boy" (Part 8 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLkJDRTFGOUI4QThEQzAyRjE<\/span>\n
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\n\t\t\tPaul Thompson on "The Farm Show" and " The Drawer Boy" (Part 8 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on "The Farm Show" and "The Drawer Boy" and differences and similarities between Tarragon and Passe Muraille.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on linking themes to an audience (Part 9 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjI1NkMyMDNGQjExQjQ3N0Y<\/span>\n
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\n\t\t\tPaul Thompson on linking themes to an audience (Part 9 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on creating and linking themes that will relate to audiences.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on sex in the alternative theatre (Part 10 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjY1MTAxQkYyQzExRjlBMTI<\/span>\n
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\n\t\t\tPaul Thompson on sex in the alternative theatre (Part 10 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on the notoriety of sex at Theatre Passe Muraille.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on the effects of alternative theatre of the 70s (Part 11 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLkY5MjQwOTVDRDg5QTM0MDg<\/span>\n
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\n\t\t\tPaul Thompson on the effects of alternative theatre of the 70s (Part 11 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on community, regional theatre risks, and the lasting effect of the alternative theatre of the 70s.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on the legacy of collective theatre (Part 12 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjQ2QzgwMTUxRTlFQUMxNUE<\/span>\n
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\n\t\t\tPaul Thompson on the legacy of collective theatre (Part 12 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on inspiring a collective theatre tradition in Canada.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on threats to Canadian theatre (Part 13 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLkREMjAwQ0NCMkNERjQyMzg<\/span>\n
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\n\t\t\tPaul Thompson on threats to Canadian theatre (Part 13 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on problems and plateaus in Canadian theatre, Quebec, the United States, and British influences.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on the production of "1837" (Part 14 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjA2ODVBNTIxNjhFQTFENzU<\/span>\n
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\n\t\t\tPaul Thompson on the production of "1837" (Part 14 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on creating something collectively with an existing production of 1837.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on theatre of "borrowed words" (Part 15 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjkwOTkwMDRGNUJGNDM0REI<\/span>\n
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\n\t\t\tPaul Thompson on theatre of "borrowed words" (Part 15 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on the power of the moment.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
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\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on the theatre scene in Toronto 2007 (Part 16 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLkI4QThGQkUwNDMzNjVGMUY<\/span>\n
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\n\t\t\tPaul Thompson on the theatre scene in Toronto 2007 (Part 16 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on the current theatre scene in Toronto, 2007.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on writing for collective theatre (Part 17 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjQzNzRCQkI1QzY2MzZBRTU<\/span>\n
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\n\t\t\tPaul Thompson on writing for collective theatre (Part 17 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on working through process, improvisation, and unscripted experimentation.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on Toronto's five theatre companies in the 60s\/70s (Part 18 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjdGMkVFMzExMTcxMjlDNDg<\/span>\n
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\n\t\t\tPaul Thompson on Toronto's five theatre companies in the 60s\/70s (Part 18 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on Toronto Workshop Productions, Factory, Tarragon, Passe Muraille, and Toronto Free Theatre.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Paul Thompson on learning from Quebecois culture (Part 19 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjdCOEQyMzI2MkQ3RDBGMjE<\/span>\n
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\n\t\t\tPaul Thompson on learning from Quebecois culture (Part 19 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on pushing the limits and experiences in Quebecois theatre.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Paul\n \n
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\n Paul Thompson on working on Tartuffe in Stratford, 1968 (Part 20 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjFGMTNFRERFNDgzQzk1M0M<\/span>\n
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\n\t\t\tPaul Thompson on working on Tartuffe in Stratford, 1968 (Part 20 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on Tartuffe at Stratford in 1968.
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\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.
\n
\nThis installment is made possible by a gift from John McKellar.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Paul\n \n
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\n Paul Thompson on the Passe Muraille building (Part 21 of 21)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UEw2NTVERTQwQjZGMENCQTMzLjFDMUJENkU3NUJERTdGODI<\/span>\n
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\n\t\t\tPaul Thompson on the Passe Muraille building (Part 21 of 21)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tPaul Thompson on the transformation of a bakery into a theatre--Passe Muraille.
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\nThis installment is made possible by a gift from John McKellar.
\n
\nThis interview was conducted by R.H. Thomson on January 25, 2007. Filming location courtesy of Theatre Pass Muraille.<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div> <\/div>\n \n\t

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