{"id":2746,"date":"2021-01-29T22:49:50","date_gmt":"2021-01-29T22:49:50","guid":{"rendered":"https:\/\/theatremuseum.ca\/?post_type=cpt_videos&p=2746"},"modified":"2021-09-21T19:32:05","modified_gmt":"2021-09-21T19:32:05","slug":"philip-akin","status":"publish","type":"cpt_videos","link":"https:\/\/theatremuseum.ca\/cpt_videos\/philip-akin\/","title":{"rendered":"Philip Akin"},"content":{"rendered":"\n
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\n \n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC40QzRDOEU0QUYwNUIxN0M1<\/span>\n \"Interviewed\n <\/span>\n <\/a>\n
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Philip Akin on moving from Jamaica to Canada in the 1950s (Pt 1 of 48)<\/h5>\n
\n <\/span>\n June 29, 2020 6:54 pm<\/span>\n <\/div>\n <\/div>\n<\/div>\n \n<\/div>\n
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\n Philip Akin on moving from Jamaica to Canada in the 1950s (Pt 1 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC40QzRDOEU0QUYwNUIxN0M1<\/span>\n
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\n\t\t\tPhilip Akin on moving from Jamaica to Canada in the 1950s (Pt 1 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on growing up religious (Pt 2 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4yQUJFNUVCMzVDNjcxRTlF<\/span>\n
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\n\t\t\tPhilip Akin on growing up religious (Pt 2 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on schooling in Oshawa (Pt 3 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4yQjZFRkExQjFGODk3RUFD<\/span>\n
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\n\t\t\tPhilip Akin on schooling in Oshawa (Pt 3 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on the 1960s (Pt 4 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC41MzY4MzcwOUFFRUU3QzEx<\/span>\n
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\n\t\t\tPhilip Akin on the 1960s (Pt 4 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on prejudice and fine words (Pt 5 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5DRUQwODMxQzUyRTlGRkY3<\/span>\n
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\n\t\t\tPhilip Akin on prejudice and fine words (Pt 5 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on his nickname growing up: Thunder (Pt 6 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5DNkMwRUI2MkI4QkI4NDFG<\/span>\n
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\n\t\t\tPhilip Akin on his nickname growing up: Thunder (Pt 6 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on why he chose theatre (Pt 7 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC45NkVENTkxRDdCQUFBMDY4<\/span>\n
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\n\t\t\tPhilip Akin on why he chose theatre (Pt 7 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on being in the air cadets (Pt 8 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4zQzFBN0RGNzNFREFCMjBE<\/span>\n
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\n\t\t\tPhilip Akin on being in the air cadets (Pt 8 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on air cadets and a great family (Pt 9 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5GNDg1Njc1QzZERjlFRjE5<\/span>\n
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\n\t\t\tPhilip Akin on air cadets and a great family (Pt 9 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on Air Cadets, shiny shoes and being Black in Oshawa (Pt 10 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4xOTEzQzhBQzU3MDNDNjcz<\/span>\n
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\n\t\t\tPhilip Akin on Air Cadets, shiny shoes and being Black in Oshawa (Pt 10 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on being a football cheerleader (Pt 11 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5BRjJDODk5REM0NjkzMUIy<\/span>\n
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\n\t\t\tPhilip Akin on being a football cheerleader (Pt 11 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on the first year of Ryerson Theatre School (Pt 12 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC40QTA3NTU2RkM1QzlCMzYx<\/span>\n
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\n\t\t\tPhilip Akin on the first year of Ryerson Theatre School (Pt 12 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on the acting grind (Pt 13 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC45RjNFMDhGQ0Q2RkFCQTc1<\/span>\n
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\n\t\t\tPhilip Akin on the acting grind (Pt 13 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on Herb Whittaker propelling his career (Pt 14 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC42MTI4Njc2QjM1RjU1MjlG<\/span>\n
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\n\t\t\tPhilip Akin on Herb Whittaker propelling his career (Pt 14 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on his first season at the Shaw Festival (Pt 15 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5CMEQ2Mjk5NTc3NDZFRUNB<\/span>\n
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\n\t\t\tPhilip Akin on his first season at the Shaw Festival (Pt 15 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on being a Black actor in Canada\u2019s theatre scene (Pt 16 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4zRDBDOEZDOUM0MDY5NEEz<\/span>\n
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\n\t\t\tPhilip Akin on being a Black actor in Canada\u2019s theatre scene (Pt 16 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on the ephemeral legacy of an actor (Pt 17 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC41QUZGQTY5OTE4QTREQUU4<\/span>\n
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\n\t\t\tPhilip Akin on the ephemeral legacy of an actor (Pt 17 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on George Bernard Shaw, inclusion and building Black theatre companies (Pt 18 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC43NDhFRTgwOTRERTU4Rjg3<\/span>\n
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\n\t\t\tPhilip Akin on George Bernard Shaw, inclusion and building Black theatre companies (Pt 18 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on the growing bench strength of talent in Canada (Pt 19 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC44Mjc5REFBRUE2MTdFRDU0<\/span>\n
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\n\t\t\tPhilip Akin on the growing bench strength of talent in Canada (Pt 19 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on working in Canadian film and TV in the 1980s (Pt 20 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5DMkU4NTY1QUFGQTYwMDE3<\/span>\n
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\n\t\t\tPhilip Akin on working in Canadian film and TV in the 1980s (Pt 20 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on being typecast (Pt 21 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4yQUE2Q0JEMTk4NTM3RTZC<\/span>\n
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\n\t\t\tPhilip Akin on being typecast (Pt 21 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on Black archetypes in TV and film (Pt 22 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5DQ0MyQ0Y4Mzg0M0VGOEYw<\/span>\n
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\n\t\t\tPhilip Akin on Black archetypes in TV and film (Pt 22 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n
\n Philip Akin on the death of vocal technique (Pt 23 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC43MTI1NDIwOTMwQjIxMzNG<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on the death of vocal technique (Pt 23 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on his worst experience as an actor (Pt 24 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5DNzE1RjZEMUZCMjA0RDBB<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on his worst experience as an actor (Pt 24 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on Canadians and Americans on a film set (Pt 25 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC45NzUwQkI1M0UxNThBMkU0<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on Canadians and Americans on a film set (Pt 25 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on making money as an actor (Pt 26 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4zRjM0MkVCRTg0MkYyQTM0<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on making money as an actor (Pt 26 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on playing parts that perpetuate stereotypes (Pt 27 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5GM0Q3M0MzMzY5NTJFNTdE<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on playing parts that perpetuate stereotypes (Pt 27 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on 'Slow Dance on the Killing Ground' (Pt 28 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4yMDhBMkNBNjRDMjQxQTg1<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on 'Slow Dance on the Killing Ground' (Pt 28 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on playing Othello (Pt 29 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5ENDU4Q0M4RDExNzM1Mjcy<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on playing Othello (Pt 29 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on working in theatre and missing important family moments (Pt 30 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC45RTgxNDRBMzUwRjQ0MDhC<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on working in theatre and missing important family moments (Pt 30 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on safety and whether the show must go on (Pt 31 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4yMUQyQTQzMjRDNzMyQTMy<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on safety and whether the show must go on (Pt 31 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on the play "Othello\u201d (Pt 32 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC41QTY1Q0UxMTVCODczNThE<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on the play "Othello\u201d (Pt 32 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on performing at the Stratford Festival (Pt 33 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5EQUE1NTFDRjcwMDg0NEMz<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on performing at the Stratford Festival (Pt 33 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on the burden of playing Othello (Pt 34 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC41Mzk2QTAxMTkzNDk4MDhF<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on the burden of playing Othello (Pt 34 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on whether Obsidian Theatre would ever produce \u201cOthello\u201d (Pt 35 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4zMDg5MkQ5MEVDMEM1NTg2<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on whether Obsidian Theatre would ever produce \u201cOthello\u201d (Pt 35 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on adapting Shakespeare (Pt 36 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC45ODRDNTg0QjA4NkFBNkQy<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on adapting Shakespeare (Pt 36 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on taking over Obsidian Theatre Company (Pt 37 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5EMEEwRUY5M0RDRTU3NDJC<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on taking over Obsidian Theatre Company (Pt 37 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on running Obsidian Theatre Company (Pt 38 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC40NzZCMERDMjVEN0RFRThB<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on running Obsidian Theatre Company (Pt 38 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on the play 'Intimate Apparel' (Pt 39 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5GNjNDRDREMDQxOThCMDQ2<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on the play 'Intimate Apparel' (Pt 39 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on getting people to see your play (Pt 40 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC45NDk1REZENzhEMzU5MDQz<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on getting people to see your play (Pt 40 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on technology in theatre and a good story (Pt 41 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC5DQUNERDQ2NkIzRUQxNTY1<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on technology in theatre and a good story (Pt 41 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on how audiences change (Pt 42 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC41MzJCQjBCNDIyRkJDN0VD<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on how audiences change (Pt 42 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on Obsidian Theatre supporting Black artists (Pt 43 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4xMkVGQjNCMUM1N0RFNEUx<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on Obsidian Theatre supporting Black artists (Pt 43 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on rehearsing for a role (Pt 44 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4wOTA3OTZBNzVEMTUzOTMy<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on rehearsing for a role (Pt 44 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on having a venue as a theatre company (Pt 45 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC41MjE1MkI0OTQ2QzJGNzNG<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
\n\t\n\t\t\t

\n\t\t\tPhilip Akin on having a venue as a theatre company (Pt 45 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

\n
\n
\n \n \"Interviewed\n \n
\n
\n Philip Akin on advice for young artistic directors (Pt 46 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4wMTcyMDhGQUE4NTIzM0Y5<\/span>\n
\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n \n
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\n\t\t\tPhilip Akin on advice for young artistic directors (Pt 46 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n Philip Akin on rehearsal hall etiquette (Pt 47 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC4yODlGNEE0NkRGMEEzMEQy<\/span>\n
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\n\t\t\tPhilip Akin on rehearsal hall etiquette (Pt 47 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div>

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\n \n \"Interviewed\n \n
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\n Philip Akin on advice for young directors (Pt 48 of 48)<\/span>\n \n \n \n \n <\/div>\n <\/div>\n\n YouTube Video UExnSGVTeTZPQjR4NUZGWlVIZGZfd2JZU2N4MzFVSWhIRC41NkI0NEY2RDEwNTU3Q0M2<\/span>\n
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\n\t\t\tPhilip Akin on advice for young directors (Pt 48 of 48)<\/span>\n\t\t<\/p>\n\t\n\t\n\t\n\t\n\t\t\t

\n\t\t\tInterviewed by Andrew Moodie on March 28, 2019 in Toronto.
\nFilming location courtesy of Cahoots Theatre
\nProduced with the support of the City of Toronto through the Toronto Arts Council<\/span> ...<\/span><\/a><\/span>\n\t\t<\/p>\n <\/div> <\/div>\n<\/div> <\/div>\n \n\t

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