Paul Thompson on bringing anarchy into the creative process (Part 1 of 21)
Paul Thompson on bringing anarchy into the creative process (Part 1 of 21)
Paul Thompson on the boom and bust theory of Canadian culture (Part 2 of 21)
Paul Thompson on his "French" background (Part 3 of 21)
Paul Thompson on involvement at Theatre Passe Muraille (Part 4 of 21)
Paul Thompson on theatres now (2009) (Part 5 of 21)
Paul Thompson on Indigenous theatre in Canada (Part 6 of 21)
Paul Thompson on reaching audiences in Toronto (Part 7 of 21)
Paul Thompson on "The Farm Show" and " The Drawer Boy" (Part 8 of 21)
Paul Thompson on linking themes to an audience (Part 9 of 21)
Paul Thompson on sex in the alternative theatre (Part 10 of 21)
Paul Thompson on the effects of alternative theatre of the 70s (Part 11 of 21)
Paul Thompson on the legacy of collective theatre (Part 12 of 21)
Paul Thompson on threats to Canadian theatre (Part 13 of 21)
Paul Thompson on the production of "1837" (Part 14 of 21)
Paul Thompson on theatre of "borrowed words" (Part 15 of 21)
Paul Thompson on the theatre scene in Toronto 2007 (Part 16 of 21)
Paul Thompson on writing for collective theatre (Part 17 of 21)
Paul Thompson on Toronto's five theatre companies in the 60s/70s (Part 18 of 21)
Paul Thompson on learning from Quebecois culture (Part 19 of 21)
Paul Thompson on working on Tartuffe in Stratford, 1968 (Part 20 of 21)
Paul Thompson on the Passe Muraille building (Part 21 of 21)