Philip Akin on moving from Jamaica to Canada in the 1950s (Pt 1 of 48)
Philip Akin on moving from Jamaica to Canada in the 1950s (Pt 1 of 48)
Philip Akin on growing up religious (Pt 2 of 48)
Philip Akin on schooling in Oshawa (Pt 3 of 48)
Philip Akin on the 1960s (Pt 4 of 48)
Philip Akin on prejudice and fine words (Pt 5 of 48)
Philip Akin on his nickname growing up: Thunder (Pt 6 of 48)
Philip Akin on why he chose theatre (Pt 7 of 48)
Philip Akin on being in the air cadets (Pt 8 of 48)
Philip Akin on air cadets and a great family (Pt 9 of 48)
Philip Akin on Air Cadets, shiny shoes and being Black in Oshawa (Pt 10 of 48)
Philip Akin on being a football cheerleader (Pt 11 of 48)
Philip Akin on the first year of Ryerson Theatre School (Pt 12 of 48)
Philip Akin on the acting grind (Pt 13 of 48)
Philip Akin on Herb Whittaker propelling his career (Pt 14 of 48)
Philip Akin on his first season at the Shaw Festival (Pt 15 of 48)
Philip Akin on being a Black actor in Canada’s theatre scene (Pt 16 of 48)
Philip Akin on the ephemeral legacy of an actor (Pt 17 of 48)
Philip Akin on George Bernard Shaw, inclusion and building Black theatre companies (Pt 18 of 48)
Philip Akin on the growing bench strength of talent in Canada (Pt 19 of 48)
Philip Akin on working in Canadian film and TV in the 1980s (Pt 20 of 48)
Philip Akin on being typecast (Pt 21 of 48)
Philip Akin on Black archetypes in TV and film (Pt 22 of 48)
Philip Akin on the death of vocal technique (Pt 23 of 48)
Philip Akin on his worst experience as an actor (Pt 24 of 48)
Philip Akin on Canadians and Americans on a film set (Pt 25 of 48)
Philip Akin on making money as an actor (Pt 26 of 48)
Philip Akin on playing parts that perpetuate stereotypes (Pt 27 of 48)
Philip Akin on 'Slow Dance on the Killing Ground' (Pt 28 of 48)
Philip Akin on playing Othello (Pt 29 of 48)
Philip Akin on working in theatre and missing important family moments (Pt 30 of 48)
Philip Akin on safety and whether the show must go on (Pt 31 of 48)
Philip Akin on the play "Othello” (Pt 32 of 48)
Philip Akin on performing at the Stratford Festival (Pt 33 of 48)
Philip Akin on the burden of playing Othello (Pt 34 of 48)
Philip Akin on whether Obsidian Theatre would ever produce “Othello” (Pt 35 of 48)
Philip Akin on adapting Shakespeare (Pt 36 of 48)
Philip Akin on taking over Obsidian Theatre Company (Pt 37 of 48)
Philip Akin on running Obsidian Theatre Company (Pt 38 of 48)
Philip Akin on the play 'Intimate Apparel' (Pt 39 of 48)
Philip Akin on getting people to see your play (Pt 40 of 48)
Philip Akin on technology in theatre and a good story (Pt 41 of 48)
Philip Akin on how audiences change (Pt 42 of 48)
Philip Akin on Obsidian Theatre supporting Black artists (Pt 43 of 48)
Philip Akin on rehearsing for a role (Pt 44 of 48)
Philip Akin on having a venue as a theatre company (Pt 45 of 48)
Philip Akin on advice for young artistic directors (Pt 46 of 48)
Philip Akin on rehearsal hall etiquette (Pt 47 of 48)
Philip Akin on advice for young directors (Pt 48 of 48)