Michael Eagan on his love for stage design (Part 1 of 30)
Michael Eagan on his love for stage design (Part 1 of 30)
Michael Eagan on architecture vs. stage design (Part 2 of 30)
Michael Eagan on working with lighting designers (Part 3 of 30)
Michael Eagan on the subliminal effects of stage design (Part 4 of 30)
Michael Eagan on working with directors in theatre (Part 5 of 30)
Michael Eagan on trust, flexibility and director Pam Brighton (Part 6 of 30)
Michael Eagan on working with director Pam Brighton and Grand Guignol (Part 7 of 30)
Michael Eagan on difficult creative relationships (Part 8 of 30)
Michael Eagan on student designers and the National Theatre School (Part 9 of 30)
Michael Eagan on design portfolios as personal expression (Part 10 of 30)
Michael Eagan on art needing craft and craft needing art (Part 11 of 30)
Michael Eagan on Michael Springate and the canon of Canadian theatre (Part 12 of 30)
Michael Eagan on working in the English and French palettes of theatre design (Part 13 of 30)
Michael Eagan on doors, poetry and reality in design for theatre (Part 14 of 30)
Michael Eagan on metaphor, text and stage design (Part 15 of 30)
Michael Eagan on technology and ritual in design (Part 16 of 30)
Michael Eagan on Circus (Part 17 of 30)
Michael Eagan on street performers and touring (Part 18 of 30)
Michael Eagan on Festival Lennoxville (Part 19 of 30)
Michael Eagan on the appetite for spectacle in performance (Part 20 of 30)
Michael Eagan on making use of the stage space (Part 21 of 30)
Michael Eagan on simplicity (Part 22 of 30)
Michael Eagan on the Canadian Fantasy Circus (Part 23 of 30)
Michael Eagan on designing for circus vs. theatre (Part 24 of 30)
Michael Eagan on working with circus performer Dolly Jacobs (Part 25 of 30)
Michael Eagan on collaborating with performers and overcoming technical challenges (Part 26 of 30)
Michael Eagan on Félix Mirbt (Part 27 of 30)
Michael Eagan on his advice for young designers (Part 28 of 30)
Michael Eagan on the Canadian design palette (Part 29 of 30)
Michael Eagan on language and design (Part 30 of 30)