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George Elliott Clarke on Halifax in the 1700s and slavery (Pt 3 of 32)
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George Elliott Clarke on Race Relations in P.E.I. (Pt 4 of 32)
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George Elliott Clarke on history, legal systems and Black migration (Pt 5 of 32)
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George Elliott Clarke on negotiating tensions and processes of identity (Pt 6 of 32)
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George Elliott Clarke on the call for artists to re-interrogate our history (Pt 7 of 32)
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George Elliott Clarke on the duty of artists to be radicals and the necessity of change (Pt 8 of 32)
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George Elliott Clarke on shifting social power (Pt 9 of 32)
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George Elliott Clarke on social progress: one step forward (Pt 10 of 32)
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George Elliott Clarke on short term thinking and power (Pt 11 of 32)
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George Elliott Clarke on being the positive result of negative histories (Pt 12 of 32)
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George Elliott Clarke on the freedom of the artist (Pt 13 of 32)
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George Elliott Clarke on being critical in your thinking (Pt 14 of 32)
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George Elliott Clarke on teaching Black Canadian writing (Pt 15 of 32)
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George Elliott Clarke on why English is such a great language to write with (Pt 16 of 32)
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George Elliott Clarke on mastering English (Pt 17 of 32)
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George Elliott Clarke on his parents (Pt 18 of 32)
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George Elliott Clarke on Expo 67, Portia White and the sense that anything is possible (Pt 19 of 32)
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George Elliott Clarke on why he became a poet (Pt 20 of 32)
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George Elliott Clarke on what is a poem (Pt 21 of 32)
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George Elliott Clarke and poetry as a gymnasium for young actors (Pt 22 of 32)
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George Elliott Clarke and his poem “Look Homeward Exile” (Pt 23 of 32)
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George Elliott Clarke on poetry in parliament (Pt 24 of 32)
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George Elliott Clarke on being the Parliamentary Poet Laureate (Pt 25 of 32)
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George Elliott Clarke on when nothing but a poem will suffice (Pt 26 of 32)
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George Elliott Clarke on being an M.A. student at Dalhousie University (Pt 27 of 32)
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George Elliott Clarke on writing “Whylah Falls: The Play" (Pt 28 of 32)
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George Elliott Clarke on writing libretto of the opera “Beatrice Chancy" (Pt 29 of 32)
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George Elliott Clarke on second productions of Canadian plays and operas (Pt 30 of 32)
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George Elliott Clarke on his play “Québécité" (Pt 31 of 32)
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George Elliott Clarke on collaboration and writing “Trudeau: Long March, Shiny Path” (Pt 32 of 32)
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